Production manufacturing childrens dresses and sarafans from cotton fabrics
It was made of sackcloth or twill. Most often the balakhons had the tunic-like cut: it was sewn of a width of fabric folded at the weft and cut in front, with gores inserted between the back and the laps. The balakhon was wrapped from right top left and belted with a sash, a braid or a tape in front, with the ends tucked in behind the sash not to hang down. It was mainly used for working.VIDEO ON THE TOPIC: Tipar rochie
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Commercial and Industrial Firm "Intercentre Lux" Ltd
The bright, original folk costumes of Russia clothing kept traditional forms among peasants until the beginning of XX century. Sbornik was a whole group of old head-dresses. The word means the way of making the hat — assembling the material into folds on the top like a comb.
This comb look creates a unique style and had a magic meaning to protect the person and to produce the next generation. The sbornik headpiece differed from one region to another in the old Rus.
Some looked more like kokoshniks, others were very close to povoynik hats. Povoynik is a decorated textile hat covering the hair of the married women. In the central part of Russia sborniks were often used at the wedding ceremony. Another old forgotten word is poneva. The poneva skirt consisted of the plaid or striped material piece gathered on a string or wrapped around the hips, which was put on a long loose shirt. Young women wore simple long shirts with the embroidered sleeves and bottom, tied with a belt around.
The poneva costumes were put on when a girl became a bride or a wife. In some regions ponevas were made like long aprons tied around the waist to warm the hips. Ponevas were decorated in the traditional ways with the embroidery and bright trims.
Rubakhas, long homespun shirts were a main clothing attribute for kids, women and men of all ages in all the regions across Russia. Women needed a rubakha shirt to put on under a sarafan dress.
These shirts were often embroidered on the chest and shoulders with traditional symbolic patterns. The geometric and pagan embroidery was meant to protect the person from evil or whammy.
The sleeves decoration served more festive purposes. The sarafan dress was the most popular wear in most regions of Russia. So it was. A sarafan was a loose long jumper dress worn over a shirt and tied with a woven belt around the waist. Everyday sarafans were made from homespun linen or cotton, hand painted in red, blue or green colors. For special occasions, rich people could afford to buy brocade material from the Moscow or Ivanovo textile manufacturers. The dushegreya was a special word for a short women's jacket, that was worn over the sarafan.
Dushegreya was a festive clothes for poor peasants and everyday wear for rich ones. The word means a "body warmer". These jackets were often made from the brocade or velvet with the inside lining. It could be also a sleeveless garment. Russian dresses, Ukrainian shirts, kokoshnik, kosovorotka, valenki and much much more! And not to forget famous Russian wool shawls.
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Account Options Sign in. Routledge Amazon. Mary Ellen Snodgrass. Taking a global, multicultural, social, and economic perspective, this work explores the diverse and colourful history of human attire.
The bright, original folk costumes of Russia clothing kept traditional forms among peasants until the beginning of XX century. Sbornik was a whole group of old head-dresses. The word means the way of making the hat — assembling the material into folds on the top like a comb. This comb look creates a unique style and had a magic meaning to protect the person and to produce the next generation.
The systematic study of the history of dress in Russia began in with the publication of a book by the president of the Academy of Arts, Aleksei Nikolaevich Olenin The occasion for the writing of this book was a decree of the Emperor Nicholas I, who expressed the desire to see a painting with many figures on the theme of the most important event in Russian history: the baptism of the Russian people by Prince Vladimir. The goal here would be to represent all the classes of Russian society in conditions and clothing that approximated as accurately as possible the actual conditions and clothing. Actual specimens of Russian dress from early Russian history and even from the ninth to the thirteenth centuries had not been preserved. The only way to recreate what Russians looked like in that epoch was to examine all the possible sources: the archaeological data, all manner of written documents, as well as works of handicraft and decorative art. The most reliable information that we have concerning Russians dress of the pre-Christian period comes from our knowledge of the materials common to that period: hides and leather, bast, wool, flax, and hemp. The style of dress did not differ from that of the other Slavonic nations. This was determined by constant communication between these nations, by a similar manner of life, and by the climatic conditions. Women wore rubakhi long shirts down to their ankles and with long sleeves gathered up on the wrists; married women also wore the so-called ponevu a kind of skirt consisting of a checked-pattern woolen fabric.
Russia: History of Dress
Despite the fact that modern technologyare developing rapidly, people are increasingly trying to return to the old traditions and clothes. Many preschool institutions use the motifs of folk art in their celebrations and matinees. In order to independently produce a national women's suit, a pattern is necessary. Russian sarafan, created in this way, will be the most realistic and real. For more than five centuries, it was the maina kind of clothing for Russian women of all walks of life.
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APPLE GARDEN-Children Apparel Production Company
Login failed. Please enter a valid username and password. Welcome, , your login was successful! The Hermitage possesses an extensive and diverse collection of Russian silks produced between the 18th and the early 20th century.
Reduced price. Viviana Sarafan. Limited special offer. Add to cart. Reference: BlueDenim Love 1.
President of Intercentre Lux Mr. Anatoly I. Sewing and knitted firm "Intercentre Lux" - is a large, private enterprise of an European type equipped with the modern processing equipment. Children's upper knitted wear made of woolen and acrylic yarn overalls, sweaters, dresses ; Children's items skirts, blouses, sarafans, trousers, overalls both made of fabrics and of stockinet; Female and man's upper knitted wear made of woolen and acrylic yarn sweaters, waistcoats, skirts, dresses ; Man's and children's shirts made of different fabrics; Children's overalls and jackets made of artificial fur; Female blouses, waistcoats, trousers, skirts with and without lining made of different fabrics; Light man's and female jackets; Working clothes and uniform for police, military forces, etc. The assortment of firm production is permanently supplemented and changing due to the development of new design and construction regarding the demand side of the internal and world markets. For the last few years, working in joint industrial cooperation with the Dutch firms, the new collections of clothes for children made of cotton fabrics with usage of knitted trim, metallic accessories and applique' work were put into production. The diverse children's items are successfully sold on the catalogues in France and Holland. The firm successfully works in industrial cooperation with Italy on manufacturing knitted items from different kinds of a yarn.
Much has been written about the workings of communist governments in the USSR and the Soviet bloc, yet there is still a great deal to explore regarding their relationship to the everyday lives of the citizens living under them. Essays from top scholars address topics ranging from fashion and game shows to smoking and camping. The authors of the essays in this collection investigate the ways in which pleasurable activities, like many other facets of daily life, were both a space in which these communist governments tried to insinuate themselves and thereby further expand the reach of their authority,. Susan E. Account Options Sign in.
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From our travels, we brought back to Finland local fabrics and made Marimekko costumes with dressmakers in Marimekko factory. In the piece, Marimekko is in dialoque with different cultures. Sixteen artists and designers were invited to create new works for the exhibition produced by Marimekko and Kiasma.
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Но Танкадо бил мячом об стенку. Он превозносил достоинства Цифровой крепости по электронной почте, которую направлял на свой собственный адрес.
Он писал письма, отправлял их анонимному провайдеру, а несколько часов спустя этот провайдер присылал эти письма ему самому. Теперь, подумала Сьюзан, все встало на свои места. Танкадо хотел, чтобы Стратмор отследил и прочитал его электронную почту. Он создал для себя воображаемый страховой полис, не доверив свой ключ ни единой душе.
- Так назвал ее Танкадо. Это новейшее оружие, направленное против разведслужб. Если эта программа попадет на рынок, любой третьеклассник, имеющий модем, получит возможность отправлять зашифрованные сообщения, которые АНБ не сможет прочесть.