On The Radar – July Edition

The SFWP Awards Program is “looking for fiction and creative nonfiction of any length, genre, and subject matter.” Judge: Benjamin Percy. Submission deadline: July 22

Can Serrat International Art Residency opens the Residency Call for Writers. This Open Call is meant to support literary production and to offer a working and living space for writers. We will invite 1 writer for a full grant in addition to inviting 49 writers for a partial aid support stipend.” Application deadline: August 1st.

Yaddo is a retreat for artists located on a 400-acre estate in Saratoga Springs, New York. Its mission is to nurture the creative process by providing an opportunity for artists to work without interruption in a supportive environment.” Application deadline: August 1st.

Litro Magazine is accepting poetry, fiction, and essay about the “experience of boundaries, real and imagined, in a bold array of poetry, fiction, and essay” for their Latin America-themed issue. Submission deadline: August 23

American Short Fiction has published, and continues to seek, short fiction by some of the finest writers working in contemporary literature, whether they are established or new or lesser-known authors.” Submissions year-round

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On the Radar – May Edition

Boulevard strives to publish only the finest in fiction, poetry, and non-fiction.” Submission deadline May 1

Prairie Schooner publishes short stories, poems, imaginative essays of general interest, and reviews of current books of poetry, fiction, and creative nonfiction.” Submission deadline May 1

Jack Jones Literary Arts is hosting its first annual writing retreat at SMU-in-Taos in Taos, New Mexico. This two-week retreat will be held October 12- 26, 2017, and is open exclusively to women of color.” Application deadline: May 1

The Emerging Voices Fellowship is a literary mentorship that aims to provide new writers who are isolated from the literary establishment with the tools, skills, and knowledge they need to launch a professional writing career.” Application period OPENS May 1. 

Poetic Duels: Sheyr Jangi
Poetic battles–called sheyr jangi in Afghanistan–have roots in the early medieval Asia. For this event, poets Majda Gama, Rami Karim, Aurora Masum-Javed, Sham-e-Ali Nayeem, and Purvi Shah will pay homage to this tradition. May 6 at 7:30 pm

“This summer, One Story will offer our annual writing conference for emerging writers, hosted in our home, the historic Old American Can Factory in Brooklyn.” Applications due May 10

The Emerging [Ploughshares] Writer’s Contest is open to writers of fiction, nonfiction, and poetry who have yet to publish or self-publish a book. The winner in each genre will be awarded $2,000.” Deadline May 15

“Published quarterly, the Gettysburg Review considers unsolicited submissions of poetry, fiction, and essays, from September 1 through May 31 (postmark dates).”

AGNI publishes poetry, short fiction, and essays.” Submission deadline May 31

Baltimore Review is accepting new submissions from through May 31.

New England Review is accepting new submissions from through May 31.

Apply for the July 2017 New Orleans Writers’ Residency. Application deadline: June 1

The [Headlands] Artist in Residence (AIR) program awards fully sponsored residencies to approximately 45 local, national, and international artists each year. Residencies of four to ten weeks include studio space, chef-prepared meals, comfortable housing, and travel and living stipends. Application deadline: June 2

The Baltic Writing Residency is extremely excited to announce the establishment of the Stormé DeLarverie writing residency, specifically aimed at under-represented writers.” Application deadline: June 15

The Marianne Russo Award, the Scotti Merrill Memorial Award, and the Cecelia Joyce Johnson Award recognize and support writers who possess exceptional talent and demonstrate potential for lasting literary careers.” Application deadline: June 30

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On the Radar – February Edition

“The Bread Loaf Conferences offer an array of programs that are part of a tradition that started in 1926 with the first Bread Loaf Writers’ Conference.” They offer financial aid, a fellowship, and a few scholarships to make it more feasible for writers that aren’t financially rolling in it to attend. Deadline: February 15

The Anderson Center provides retreats of two to four weeks duration from May through October each year to enable artists, writers, and scholars of exceptional promise and demonstrated accomplishment to create, advance, or complete works-in-progress.” New York City and Minnesota artists: apply for the month of August. It is Jerome Foundation funded. I was a resident in August of 2016 and it was a great space where I met some really interesting fellow artists and did a dizzying amount of revision on a story in my collection. Deadline: February 15

The Dora Maar Summer/Fall Fellowship offers:
• One to three months in residence at the Dora Maar House.
• A private bedroom and bath, and a study or studio in which to work.
• Round-trip travel expenses to Dora Maar House.
• A grant based upon the length of stay at Dora Maar House. Deadline: February 15

Apply to the 2017 NYC Emerging Writers Program. Nine writers will receive a one-year fellowship during and:
“• A grant of $5,000
• The option to engage in a mentorship with a selected freelance editor
• The opportunity to meet with agents who represent new writers
• A Center for Fiction membership that includes borrowing privileges for our collection of new fiction and fiction-related titles
• Free admission to all Center events for one year, including tickets to our First Novel Fete and benefit dinner as space allows
• 30% discount on tuition at select writing workshops at the Center
• Two public readings as part of our annual program of events and inclusion in an anthology distributed to industry professionals
• A professional headshot with a photographer for personal publicity use” Deadline: February 15

Epiphany Magazine‘s annual Spring writing contest has some bad-ass judges. Deadline: February 20

Tax Preparation for Artists. “Are you ready for April 15? This in-person workshop will not only help you get prepared for the upcoming tax deadline, but will also give you the tips and tools you need to keep your receipts, expenses, and business records organized throughout the year.” February 22

The BAU at Camargo Arts Residency “supports the development of work in the Visual Arts (including photography, video and new media), Creative Writing, Dramatic Writing, Performance and Musical Composition.” Deadline: February 28

The Restless Books Prize for Immigrant New Writing awards $10,000 and publication “for an outstanding debut work by a first-generation American author.” They alternate between fiction and non-fiction every year. This year it’s non-fiction. Deadline: February 28

“AWP sponsors the Award Series, an annual competition for the publication of excellent new book-length works.” Deadline: February 28

The Glimmer Train Short Story Award for New Writers is “open only to writers whose fiction has not appeared, nor is scheduled to appear, in a print publication with a circulation over 5,000. (Entries must not have appeared in print, but previous online publication is fine.) Most entries run from 1,000 to 5,000 words, but any lengths up to 12,000 are welcome.” Deadline: February 28

Ninth Letter is published semi-annually at the University of Illinois, Urbana-Champaign. We are interested in prose and poetry that experiment with form, narrative, and nontraditional subject matter, as well as more traditional literary work.: Deadline: February 28

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On the Radar – December Edition

Yaddo is a retreat for artists located on a 400-acre estate in Saratoga Springs, New York. Its mission is to nurture the creative process by providing an opportunity for artists to work without interruption in a supportive environment.” Application deadline: January 1

The Steinbeck Fellows Program of San José State University (SJSU), which was endowed through the generosity of Martha Heasley Cox, offers emerging writers of any age and background the opportunity to pursue a significant writing project while in residence at SJSU.” Application deadline: January 2

Glimmer Train is “looking for stories about families of all configurations” for its November/December Family Matters contest. Submission Deadline: January 2

“For the past 31 years, NYFA has awarded fellowships of $7,000 to individual originating artists living in New York State and/or Indian Nations located in New York State. 2017 NYSCA/NYFA ARTIST FELLOWSHIP CATEGORIES: Crafts/Sculpture, Printmaking/Drawing/Book Arts, Nonfiction Literature, Poetry, Digital/Electronic Arts.” Application deadline: January 25

“Each January since 2003, The Iowa Review has invited submissions to The Iowa Review Awards, a writing contest in poetry, fiction, and creative nonfiction. Winners receive $1,500; first runners-up receive $750. Winners and runners-up are published in each December issue.” Submit between January 1 – 31 

“Submissions are now open for the DISQUIET Prize for writing in any genre. Three winners will be published in Guernica (fiction), NinthLetter.com (non-fiction) or The Common (poetry). One grand prize winner will receive a full scholarship, accommodations, and travel stipend to attend the seventh annual DISQUIET International Literary Program in Lisbon taking place June 25- July 7, 2017.” Submission deadline: January 31

2017 Kenyon Review Short Fiction Contest. “The contest is open to all writers who have not yet published a book of fiction. Submissions must be 1,200 words or fewer.” Submit between January 1 -31

“In Fall 2017, the Bellevue Literary Review will publish a special theme issue, seeking high-caliber poetry, fiction, and nonfiction that explore the concept of family—the primary latticework and laboratory of human nature.” Submission deadline: January 31

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On the Radar – September Edition

I have abandoned my usual sense of time this month. These are deadlines in October, but also a list of who is starting to read again in the fall. Here goes:

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One Story is seeking literary fiction. Because of our format, we can only accept stories between 3,000 and 8,000 words.” Submission period begins: September 1

“Published quarterly, the Gettysburg Review considers unsolicited submissions of poetry, fiction, and essays, from September 1 through May 31 (postmark dates).” Submission period begins: September 1

New England Review is looking for “fiction, poetry, nonfiction, drama, translation, creative writing for the web site (NER Digital), cover art, and art for our website.” Submission period begins: September 1

“Since 1977 Willow Springs has published the finest in contemporary fiction, nonfiction, and poetry, as well as interviews with notable authors including Marilynne Robinson, Stuart Dybek, Aimee Bender, Robert Wrigley, Joyce Carol Oates, Yusef Komunyakaa, and Kim Addonizio, to name a few.” Submission period begins: September 1

Wallace Stegner Fellowship. “Unique among writing programs, Stanford offers ten two-year fellowships each year, five in fiction and five in poetry. All the fellows in each genre convene weekly in a 3-hour workshop with faculty. Fellows are regarded as working artists, intent upon practicing and perfecting their craft. The only requirements are workshop attendance and writing. The program offers no degree.” Application period opens: September 1

The Travel and Study Grant Program awards grants to emerging artists who create new work, rotating the eligible disciplines in alternating years. Funds support periods of travel for the purpose of study, exploration, and growth…The eligible disciplines for 2017 are music; theater; and visual arts. Applicants must be “generative” artists (e.g. composers or sound artists in music; playwrights, performance artists and directors of ensemble based theatre companies; and visual artists of all genres).” Guidelines for the 2017 Travel and Study Grant Program will be posted September 7

Fiction. “Staying under 5,000 words is encouraged, but we will read fiction manuscripts of any length.” Submission period begins: September 15

Kenyon Review. “We publish the best work we can find—this is the case for both KR and KROnline. The two are aesthetically distinct spaces.” Submission period begins: September 15

“The city’s largest free literary festival, the Brooklyn Book Festival is one of the country’s premier international book festivals, drawing tens of thousands each year to the global creative capital of Brooklyn, NYC. The 7-day festival launches with a week of city-wide Bookend Events, a Children’s Day celebrating childhood literature and finally Festival Day — a day-long literary extravaganza with more than 100 panel discussions and reading on 12-stages and a vibrant outdoor Literary Marketplace.” September 18 (with loads of events that whole week off-site)

26th Annual Jeffrey E. Smith Editors’ Prize awards $5,000 Fiction, $5,000 Nonfiction and $5,000 Poetry. “Winners receive publication, invitation to a reception and reading in their honor and a cash prize.” Deadline: October 1

Twentieth Annual Zoetrope: All-Story Fiction Contest. “The three prizewinners and seven honorable mentions will be considered for representation by William Morris Endeavor; ICM; the Wylie Agency; Regal Literary; Dunow, Carlson & Lerner Literary Agency; Markson Thoma Literary Agency; Inkwell Management; Sterling Lord Literistic; Aitken Alexander Associates; Barer Literary; the Gernert Company; and the Georges Borchardt Literary Agency.” Deadline: October 1

The Comadres and Compadres Writers Conference, provides Latino writers with access to published Latino authors as well as agents and editors who have a proven track record of publishing Latino books…The 5th Annual Comadres and Compadres Writers Conference, taking place at The New School in New York, will be a SPECIAL EDITION. This year the conference will offer writing master classes, only.” October 1

The Aura Estrada Short Story Contest. “The winning author will receive $1,500 and have his or her work published by Boston Review.” Deadline October 3

“Since its founding in 1992, Writers Omi at Ledig House has hosted hundreds of authors and translators, representing more than fifty countries. We welcome published writers and translators of every type of literature. International, cultural and creative exchange is a foundation of our mission, and a wide distribution of national background is an important part of our selection process. Guests may select a residency of one week to two months; about ten at a time gather to live and work in a rural setting overlooking the Catskill Mountains. Ledig House provides all meals, and each night a local chef prepares dinner. Daytime is reserved for writing and quiet activities, while evenings are more communal. A program of weekly visits bring guests from the New York publishing community.” Application deadline: October 20

Sexism in the Literary World. “In the literary world, as in broader society, gender inequality remains an ongoing problem, and the poor representation of women writers a contentious topic. Organizations such as VIDA highlight the imbalances in visibility between women and men in scores of online and print publications. Arguably, sexism and misogyny are central to this issue. This event brings together novelists Bonnie Nadzam and Porochista Khakpour, social change advocate and journalist Kavita Das, and Amy King of VIDA, to discuss sexism and harassment in the publishing industry and writing programs, and what can, and should, be done to improve the representation of women writers. The Center’s director Noreen Tomassi will moderate, and contribute her insight.”
October 25

Why I Leave “Pushcart Prize nominee” in my Bio

When a small journal nominated one of my stories in 2013, it was the first nod of anything besides publication. It felt good. It was a story I liked, one I still love, one a lot of people since have told me they loved. It’s the story I’ve tinkered on the least post-publication. One I felt I executed with every ounce of skill and heart I had, harmoniously, and to the max. The editor that nominated it treated it like a teacher would a student they really believed in.

One time, I was looking back on some childhood school photos with someone and they pointed out my penchant for colored socks. Like visible-under-the-hem, bright-ass socks. And it was a moment when you realize that something you did and thought little about or did and loved was incredibly dorky.

It’s like that in writing-as-career too. And I mean career in the blandest sense possible. You get your first piece accepted in some little journal and you’re ecstatic. Until something makes you aware of the hierarchy of journals. Then that little journal doesn’t seem worth mentioning anymore, even though it sure made you feel like a real fucking writer two seconds ago. The harder it is to get picked, the better it must be, right? If other people can have this too, it must be crap.

Somewhere between other writers’ snark (usually white, usually over-educated, and fond of hierarchies) making me aware that thousands of writers get nominated for Pushcarts, I came to the conclusion leaving it on my bio was incredibly dorky. Less than a month ago, I was at a writing conference/workshop where it was a joke in someone’s opening remarks. If you google Pushcart Prize, there are dozens of blog posts pointing out how much of a dork you are for believing your small accolade. I should’ve been embarrassed at leaving such a clear trail of newb-ness.

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A fruit vendor’s push cart, Cartagena, Colombia by Joe Ross

One day, the Pushcart nominee thing came up in conversation with a respected and lauded poet and teacher friend who keeps it on his bio along with “bigger” awards. “Everyone and their moms gets one of those,” was what I said. And in that way he has of putting your your shit in perspective with an economy of words (fucking poets!) he said, “My moms didn’t.”

What that did to me was two things. One, it snapped me out of a touch of the comemierdas I contracted from these writers. So because these writers who I deemed more knowledgeable about writing-as-career deemed it meh, I had to deem it meh too? Automatically? Without measuring for myself, against myself?

And Two, who was this “everyone” because he was right. Our moms were not getting Pushcart nominations. They were busy getting visa nominations (or not), work nominations, nominating what bills they could pay, and nominating what was for dinner. To put a finer point on it, as another teacher would later put it, “Herman Melville was not thinking about you when he was writing Moby Dick.” Perhaps thousands of American white writers have been nominated, but how many that look like me and come from where I come from? Your small potatoes can be someone’s whole meal.

That conversation, no longer than a minute or two, was a call to stop measuring myself against rulers not made for me. There’s no such thing as everyone or universal experience. And hey if your moms was getting Pushcart nominations and the like, that’s great, my daughter will be able to say that kind of thing, but I was wrong to hold you up as “everyone” when I knew different.

Now, this is not to say, we shouldn’t aim for larger, higher, more. This is also not to say that as you get more that some things won’t drop off to make room for other things, but dammit you be the one to decide what betterment means to you. You be the one to decide what is important on your bio and reflects your trajectory the best at that moment. I just submitted a piece to a prize and left it in. It’s followed by other things that say something about how I’ve been becoming a writer since that nomination, but it’s in there. And look, tomorrow, six months from now, years from now I could totally decide to drop it, but today it still has significance for me.

I loved those socks. My grandma bought them for me with retirement checks. She matched them to my scrunchies. And even though all my socks are black, white, and gray (like my soul!), I look back at the cheerful ankles of my youth with kindness and affection.

You like the socks? Wear the fucking socks.

On the Radar – August Edition

In the last month, I managed to squeeze in a few drastic life changes. I went to Portland for Tin House’s Summer Workshops and learned under the amazing Steve Almond. I wish someone with serious lyrical skill would turn his craft book “This Won’t Take But A Minute, Honey” into the 10 Crack Commandments a la Biggie. Cop that.

Four days after getting home, I got married.

A week after that, I flew to Minnesota for a residency at the Anderson Center, thanks to the generosity of The Jerome Foundation. That’s where I find myself now. Ten days in, I finally feel like I have some forward traction on a novel. Not like the nine days before this weren’t productive, but rereading, revising, editing, and organizing tend to not feel as productive as filling up a page with fresh words. Despite how necessary all that stuff is.

Anyhow, finally got a chance to ask myself what could possibly be next? How can I shape my 2017 to support my writing projects?

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“Submissions to the 2016 1/2K Prize are now OPEN until August 15th! Winner receives $1,000 and publication in Indiana Review. All entries are considered for publication.” Deadline: August 15

Steve Almond is teaching two workshops in the Bay Area:

Palo Alto:
Date: Saturday, August 20
Time: 9-Noon
Cost: $95
Location: Cubberley Community Center, 4000 Middlefield Road, T2, Palo Alto, CA 94303
Format: Lecture, free write, feedback

SF:
Date: Sunday, August 21
Time: 9-Noon
Cost: $95
Location: South Van Ness SF 94110 (email stevealmondjoy [at] gmail.com for address)
Format: Lecture, free write, feedback

To reserve a seat, send payment by check or PayPal. If via Paypal, use the friends/family option and send to: sbalmond@earthlink.net.

Email stevealmondjoy [at] gmail.com if you have questions.

This is an interesting one for the right writer. Pretty disconnected, a stipend, no application fee, and quite an environment. “The National Parks Arts Foundation (NPAF) in association with Big Bend National Park of the National Park Service now offers a Residency in the river country of Texas, adjacent and across the river from two Mexican National Parks. This is one of the jewels of the Park Service: one of the largest, most remote, least visited and yet most austerely beautiful parks in the U.S.” Deadline: August 22

The Barthelme Prize for Short Prose is open to pieces of prose poetry, flash fiction, and micro-essays of 500 words or fewer. Established in 2008, the contest awards its winner $1,000 and publication in the journal. Two honorable mentions will receive $250, and all entries will be considered for paid publication on our website as Online Exclusives.” Deadline: August 31

Okey-Panky is open for submissions, until August 31 or until we hit our cap. We accept prose and poetry manuscripts of under 1500 words, and comics. Contributors are paid $100, and there is no submission fee.” Deadline: August 31

Glimmer Train’s Fiction Open: Open to all subjects, all themes, and all writers. Most entries run from 3,000 to 6,000 words, but any lengths from 3,000 to 20,000 words are welcome. 1st place: $3,000. The Very Short Fiction Award is open to all writers. Any story that has not appeared in a print publication is welcome. Word count range: 300 – 3000.” Deadline: August 31

“As a feminist press, Shade Mountain is committed to publishing literature by women, especially women from marginalized/underrepresented communities. We seek literary fiction that’s politically engaged, that challenges the status quo and gender/class/race privilege.” They are currently “seeking novel manuscripts by African American women. Any topic, any style, preferably literary rather than genre.” They published this wonderful anthology that includes one of my own stories. Rosalie is a real champion for her authors and an eagle eye editor. Deadline: September 1

Kimmel Harding Nelson Center for the Arts offers up to sixty juried residencies per year to working visual artists, writers, composers, and interdisciplinary artists from across the country and around the world…Residencies are available for 2 to 8 weeks stays. Each resident receives a $100 stipend per week, free housing, and a separate studio. The Center can house up to five artists of various disciplines at any given time.” I stayed for a 2 week residency in April 2015 and would love to return for longer. I count two of the artists I met there as friends now as well so I can’t recommend it enough. Deadline: September 1

“Supported in 2017 and 2018 by the Jerome Foundation, the Lanesboro Artist Residency Program awards two to three residencies per year and allows artists to benefit from studio space, ample time to create, and an entire rural community and its myriad assets as a catalytic vehicle for engagement and artistic experimentation.” I was just the resident artist in February and it came at a critical time for me, when I was leaving a 9-to-5 and switching to writing and self-employment full-time. The community is surprisingly creatively active for its size, super welcoming, and the residency was generous in funding. Apply. Deadline: September 1

Brush Creek Foundation for The Arts is a non-profit organization offering time and space for artistic exploration to visual artists, writers, musicians and composers from all backgrounds, level of expertise, media and genres.” I’ve heard very good things about Brush Creek from peers. Deadline: September 1

The Jentel Artist Residency Program offers dedicated individuals a supportive environment in which to further their creative development.” This was the first residency I was accepted to in 2014. I’d been to VONA  for the second time, had lost a boyfriend to suicide. I was full of ideas and processing trauma. I started the draft of a short story that was published earlier this year, wrote a 10-page essay I trashed, and started drafting notes for a novel I’m writing now. I needed the time more than I knew and watching the artists at work there shifted something in the way I regarded myself as a writer and approached writing as work. Deadline: September 1

Nine-Week Writing Our Lives Personal Essay Workshop. “This class is designed for people who are new or fairly new to the personal essay/memoir and know they want to take on the challenge. Perhaps you are interested in writing a memoir and want to get your feet wet in essay. As a memoir writer myself, I can tell you that the personal essay is the micro of the macro that is memoir. Maybe you’re a seasoned writer who wants to brush up on the essentials. There’s room for you too! Legend has it that Alvin Ailey used to take a basics dance class periodically even after he created his now renowned dance school, “to remind myself,” he said. In the class we will dig into the fundamentals of writing personal essays: how to decide on a topic, how to start, how to read essays like writers (because reading like a writer and reading like a reader are not the same thing), how to build well-developed characters, how to write dialogue, etc. We will be reading essays (lots of them) and dissecting them, analyzing why the author made the decision(s) he/she made. We’ll also be doing tons of writing, including a 1250 word essay as a final project. What I’m saying is you must be willing and able to do the work. The writing life you envision requires it.” Free one-day class: September 10. Workshop begins: September 17

Slice’s sixth annual writers’ conference will draw more than 130+ agents, authors, editors, and publishing pros. Our panels and workshops will cover topics from the craft of writing (plotting, dialogue, characterization, poetry, and more) to the business of writing (pitch letters, landing a book deal, and beyond). Top editors, agents, and authors will discuss crucial steps to help launch a writer’s career. But a book deal is just the beginning of a writer’s professional journey. We invite leading professionals to offer trade secrets about how they transform a great story into a bestselling book (and what writers can do to help them get there).” September 10-11

8-week Creative Nonfiction Workshop “Through group discussion of student work, plus that of published authors, writers in this workshop will examine the art and craft of creative nonfiction. The focus will be on learning to understand and use a full range of literary techniques in order to tell a truly compelling nonfiction story. Topics such as the use of dialogue, the creation of scene, attention to style and how to craft structure from true events will be discussed. Participants will also spend time talking about the particular responsibilities that come with writing creative nonfiction. This workshop is open to writers working on memoir, personal essays or in-depth journalism.” My good friend Jennifer Baker is teaching this workshop and I cannot say enough great things about her. Tireless advocate of literature, keen reader and critic, talented writer, eagle-eyed editor, and baker of some of the most addictive treat you’ve ever had. Go take her class. Begins: September 12

Key West Literary Seminar. “The Marianne Russo Award, the Scotti Merrill Memorial Award, and the Cecelia Joyce Johnson Award recognize and support writers who possess exceptional talent and demonstrate potential for lasting literary careers. Each award is tailored to a particular literary form. The Merrill Award recognizes a poet, while fiction writers may apply for either the Johnson Award (for a short story) or the Russo Award (for a novel-in-progress). Winners receive full tuition support for our January Seminar and Workshop Program, round-trip airfare, lodging, a $500 honorarium, and the opportunity to appear on stage during the Seminar.” Deadline: September 12

The MacDowell Colony provides time, space, and an inspiring environment to artists of exceptional talent. A MacDowell Fellowship, or residency, consists of exclusive use of a studio, accommodations, and three prepared meals a day for up to eight weeks. There are no residency fees.” The holy grail of residencies. Deadline: September 15

“Literary journal SmokeLong Quarterly is inviting applications from new and emerging flash fiction writers for the 2017 Kathy Fish Fellowship.” Deadline: September 15

I so wish I were home to catch this: BBF: Gender in Science Fiction and Fantasy. “This event brings together celebrated voices from science fiction and fantasy whose work explores gender constructs and/or notions of sexuality, to talk about the current state and representation of these themes in the field. Multi-award winner Catherynne M. Valente (The Labyrinth (2004),Deathless (2011), Radiance (2015)) joins Seth Dickinson(The Traitor Baru Cormorant, 2014), 2015 Nebula Award-winner Alyssa Wong, and Whiting Award-winner Alice Sola Kim.” September 18

“This residency offers up to ten artists a five week period to live and work at the Château de La Napoule.” Deadline: September 19

The Manchester Fiction Prize awards “£10,000 prize for the best short story of up to 2,500 words. Open internationally to new and established writers aged 16 or over (no upper age limit).” Deadline: September 23

The Siena Art Institute’s Summer Residency Program awards accomplished professional artists & writers the opportunity to stay for a month in the beautiful historic city of Siena, in the heart of Tuscany, Italy. The month-long Summer Residency Program grants resident artists a studio space at the Siena Art Institute & a private 1-bedroom apartment in the historic city center of Siena, as well as flight compensation for getting to and from Italy.” Deadline: September 30

Soho Press is “open to unsolicited submissions for our literary list. Please familiarize yourself with the types of books we publish in the literary imprint “Soho Press” before submitting. In general, we are interested in bold voices and original ways of seeing the world.”

For the past ten years, I’ve walked past the brownstone where Langston Hughes lived and wondered why it was empty. How could it be that his home wasn’t preserved as a space for poets, a space to honor his legacy? I’d pass the brownstone, shake my head, and say, “Someone should do something.” I have stopped saying, “Someone should do something” and decided that someone is me.

I, Too, Arts Collective is a non-profit organization committed to nurturing voices from underrepresented communities in the creative arts. Our first major project is to provide a space for emerging and established artists in Harlem to create, connect, and showcase work. Our goal is to lease and renovate the brownstone where Langston Hughes lived in Harlem as a way to not only preserve his legacy but also to build on it and impact young poets and artists.” Donate